Three different edits of the same shot, something random I took Sunday afternoon on Westport Road.

Color version.

Fisheye lens distortion corrected in Adobe Lightroom. I usually don’t like the distorion-less fisheyes but in this case I thought even it was a little interesting as well.

First one with a black and white treatment.

I live not far and grew up in the area. It’s a testament to my speed and agility that I’ve crossed Westport Road on foot as many times as I have without getting maimed or killed by traffic. It’s a street that epitomizes Kansas City’s decades-long fixation with moving cars as fast as possible and saying to hell with everything else.

A couple more photos from my Puerto Rico trip back in March – I still haven’t finished the editing work on the last few shots.

View down two streets in Old San Juan

Inside a sentry lookout at Fort San Cristobal, San Juan Puerto Rico.

Fisheye lens view of the Kauffman Center's construction progress on April 19, 2011.

I had the chance to go in the Kauffman Center construction site again this afternoon and nabbed this fisheye view of the point as symmetrical as I could get with my tripod. Inside the glass is the grand lobby, to be known as the Brandmeyer Great Hall.

On Tuesday, Mar. 1 I had the chance to go back inside the Kauffman Center on a tour again. At present most of the seats have been installed in Helzberg Hall, pictured in both photos below. The seat installation in the adjacent Muriel Kauffman Theatre is to begin very shortly as well.

Above: Standing where part of the pipe organ will be installed.

View from the upper level at Helzberg Hall.

Inside The Link in February

Yet another fisheye lens photo, and my fifth and final shot from my series of photos taken from inside The Link Skywalk between Union Station and Crown Center on the evening of Saturday February 12th. These kind of visually complicated things under the right lighting are pretty much my favorite things to do with photography. The ceiling and HVAC reflections in the glass wouldn’t be nearly so evident without the HDR/tone-mapped processing I applied by taking multiple exposures in-camera and blending them on my computer.